Adaptive gain
Auto mode is designed to reduce clipping through sharp volume changes. Dynamic mode evens out quieter indoor speech.

A compact wireless system for solo creators, interviews, multi-camera productions, and direct-to-camera recording—with adaptive gain, 32-bit float backup, and timecode built around the handoff.

Automatic control helps with sudden changes. Internal recording protects the original. Tone and noise controls shape the track without hiding the source.
Auto mode is designed to reduce clipping through sharp volume changes. Dynamic mode evens out quieter indoor speech.
Choose Regular, Rich, or Bright from the receiver or DJI Mimo, then set Basic or Strong noise cancellation for the location.
Dual-file recording keeps the original internal track beside a second file with the selected processing applied.

It gives post-production more room when a whisper becomes a shout. Monitor placement, wind, clothing contact, and the camera input level first; use the internal file when the camera track needs recovery.
The system can begin with one subject, then expand across speakers and cameras without changing the audio vocabulary.



Jam and verify every recorder and camera before the first take. Mic 3 transmitters embed timecode with internal recordings, while the receiver accepts and outputs timecode for the wider set.
Live Canadian price and stock appear when the commercial catalogue is available. The product page keeps every box item visible while quantities change with the selected kit.

1 transmitter and receiver
50 availableSolo voice, tutorials, social and mobile
2 transmitters, receiver, charging case
8 availableInterviews, podcasts, two-person productionAdd voices first, then receiving and charging, then connection and wind protection. Small adapters and cables stay at the end.
DJI Mic 3 TransmitterAdd another voice or create a direct-to-OsmoAudio setup.
DJI Mic 3 ReceiverExpand a multi-camera system or use it as a timecode generator.
DJI Mic 3 Charging CasePair, store, and recharge two transmitters and one receiver.
Mobile Phone Adapter (Lightning)Connect the receiver to compatible Lightning-equipped devices.
Multi-Color WindscreensFive colours for wardrobe and location matching.
Compatibility, scale, and recording choices that change the kit.
Choose 1 TX + 1 RX for a solo presenter or one interview subject. Choose 2 TX + 1 RX + Charging Case for two voices, faster storage and pairing, and up to 28 hours of total operating time under DJI's test conditions.
Yes. A transmitter can connect directly to a compatible phone over Bluetooth or to supported DJI cameras through OsmoAudio. Device support and the number of simultaneous transmitters vary by camera.
Yes. The transmitter supports 32-bit float internal recording and can save both an original file and an algorithm-enhanced file for a safer post-production handoff.
A Mic 3 receiver can link with up to four transmitters, and a transmitter can link with up to eight receivers. Additional transmitters and receivers are required, and four-channel output depends on supported hardware or software.
Yes. Transmitters embed timecode into internal recordings, while the receiver supports timecode input and output for synchronizing multi-camera production.
No. Mic 3 transmitters, receivers, mobile adapters, and charging case are not interchangeable with the first DJI Mic, Mic 2, or Mic Mini systems.
Tell us the speakers, cameras, phones, wardrobe, location noise, monitoring, and edit workflow. We will map the transmitter count, receiver routing, charging, adapters, and backups.
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